Fangirling with Samit Basu and litfests

Warning: a bit of gushing ahoy.

Ten year ago, in a small bookstore (which has shut down now) in Delhi, I was introduced to Samit Basu’s first book, the first in the Gameworld trilogy, and was instantly jealous of him. I hadn’t read the book yet. I just stood in the bookstore, remembering that I had flicked through the fantasy novel’s pages, ending up at the first page, with his biography. What made this green-eyed smoky monster rise up through my ears was the fact that he was just 24-years of age when his first book had come out, my peer by age. By that time, I had already been harbouring a dream of writing a novel, but hadn’t started on it. And I wanted to write something in fantasy. (This ‘I want to write a book’ has become something of a fashionable thing now, to do for every bucket list, right there along with dance with the African tribals, click photographs of zebras and jump from high rise buildings and airplanes.)

Me and a friend who was there along with me, bought the book, read it, giggled at the breathless one liners after another, reread it, discussed it, and stayed with the trilogy, anticipating each of the next with as much impatience as Harry Potter fans. It was my first Indian fantasy series that made me as crazy, something I bet that all Game of Thrones fans now will remember. Now when I look back at the trilogy, it was of a new, impatient, foot-tapping author who broke limits and codes and played with myth and mythology and actually had fun doing it. At that time, it was just so much fun! Samit wasn’t looking at prettified language, he just wanted to play with ideas. That’s something that I loved most about the trilogy.

Since that day, all those years ago, I’ve had ‘fan’ moments with Samit: the day he added me on Facebook, the first time in a Facebook group when he commented on my post, and the first time he answered my emails to help and guide me in the Indian comic industry. He was a senior (by experience, if not age) writer, brutally honest in his suggestions to me (Quit if you want to make money), and refreshingly no-bullshit. Everytime an answer from him came into my inbox, my eyes lit up.

Then while working on Cult of Chaos, I did the impossible, and asked him outright, over email if he would like to give me a blurb for the book. He showed interest, I whoopied and sent him my manuscript, hoping, so much, that he would like it, because if you love someone’s stories, you would want them to be proud of you too. (We authors are like this, made of fragile egos and emotion.) No reply. I pinged him again. Poor thing had just taken up a new job and was juggling with far too much. I wondered if he would be able to go through a rough manuscript of 1,00,000 words complete with bad sentences and typos. Another reminder, wait, wait. And finally, he sent me a blurb. And here’s what he said:

Cult of Chaos is racy, rousing, rambunctious and rakshas-ful. Read immediately

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Continue reading “Fangirling with Samit Basu and litfests”

Book excerpt: Cult of Chaos in New Indian Express

Cult of Chaos is not an easy book for anyone to like, as in anyone from traditional media. Some say no, because it’s a tantrik book, a fiction supposedly encouraging superstition (without having read it of course). Which is weird really. It’s fiction, created stuff! Some of them have said no to the book because it’s too violent, sexual (though there’s not even a single sex act in the novel. Yup, still, Anantya’s such a character that you imagine that she would be doing all kinds of perverted thingies. Which is true actually). So it was quite nice of the kind people over at New Indian Express to give the book a chance and actually use this hair-raising prologue of the book.

Check it out online.

Excerpt in New Indian Express in February
Excerpt in New Indian Express in February

 

EXCERPT (Here it is. From the Prologue) Continue reading “Book excerpt: Cult of Chaos in New Indian Express”

Cult of Chaos launched in Atta Galatta with an occult quiz

Never knew that a standalone event, where people are coming just to meet you, to celebrate your book, can give one such jitters. So it was that I had had a sort of a stomach churning, a week before my first ever book launch was about to happen. I adore Anantya Tantrist, the tantrik detective of Cult of Chaos. Absolutely love the book, but how was I going to convince 50-odd people to turn up at the event and buy the book at that?

And why should they come? I’m not a known author or anything. I’m just someone. But somewhere I so wanted to somehow celebrate the book and writing and completing and getting it published. I’ve always been the curious sorts, asking questions to everyone. So I wondered, why not a quiz? The idea stuck and we decided to do not just any quiz but a special one, on Occult Detectives to entertain the crowd.  I knew Anantya would like that and that way, I wouldn’t have to ramble on about the book for half an hour, or do a discussion, which can be so boring for the audience! That decided, we hired  QuizCraft Global to conduct this quiz.

To start the quiz, I had asked a friend Kanishka who had read the book at its manuscript level, to say a little about it. He started from The Ghost Hunters of Kurseong, which he’d read and how he was so pleasantly surprised at Cult of Chaos, which is extensively different from my first book. (And definitely not meant for kids) I blushed and got muddled in my head, while he said really, really nice things.

Sathvik Ashok, the quiz master from QuizCraft Global took over from there and kept people entertained for almost 45 minutes, scribbling and chewing pens, hitting themselves on the head or clapping at the chap who got the answer. The quiz had five rounds ranging from supernatural questions, urban legends, to Indian ones. My favourite one was:

ONE OF MY FAVE QUESTIONS:

“A female ghost with messy hair and tattered clothing is said to knock on people’s front doors asking for alms. Opening the door to this ghost is said to invite bad luck. Sometimes, she’s even recognized as an omen for death in the house. If you open the door, she hangs around your house and becomes a nuisance. What idea did people come up with to combat this ?”

Can you guess the answer? I will put it in the end of this post.

Post that,  author Sharath Komarraju, was asked to come on stage to take off the shiny wrapping off Cult of Chaos to formally launch the book. He also won one of the rounds of the quiz. He said, ‘I will keep it very short as I’ve been told to say exactly two words. I’ve read this book at the manuscript level and found it fascinating. So my two words are: Buy it.’ With this, he gave the mike to me.

I mumbled emotional stuff about how the book combines the two genres I love the most: fantasy and detective fiction. Of course with blood and violence thrown in. I’ve rambled on the same stuff in other interviews, which you can read here, here and even here.

Finally, it was Ajitha, the senior editor, who has been with Anantya and me throughout, who came on stage. She retold the story of when Shweta had met her first, a few years ago at Bangalore Literature Festival. ‘Shweta came up to me, introduced herself and said, I think Anantya wants you to be the editor of her book. At that time, I was stumped and didn’t know what to say, but it got my attention and I got back home and started to read Cult of Chaos. And I was hooked.’ On the part she loved about the book, Ajitha said. ‘The world is so fleshed out and real. And Anantya is just so like you and me, a woman who has grown up in India, is trying to live an independent life, and even though most of her gaalis are written in English, they are perfectly Indian. I think the time was right for a book like this, an occult detective fiction, to come out in the market.’ Am so happy she agreed to become the editor of the book!

The event closed with a few signings and a couple of photographs with friends. Signing off with the best comment overheard: “The age of the audience increased by 20 years for the next event, a poetry reading session.’

Answer to the above question: Naale Baa (Come tomorrow). The two words were written on every second door in the city to avoid a mysterious woman from knocking at the door at midnight.

A special mention to Ashu, who was there as always and to all of my friends for coming by and making it so much fun (And Kanchen for the owls)! Here are a few photos taken by pal Prasad N and the media coverage so far.

See? You should’ve come. It was super fun.

 

Why tantriks sit on top of a dead body on a new moon night and meditate

I don’t like death. I cringe everyday when I read about it in the newspaper. It happens to a stranger, unexpected, when you’re just eating a burger in a café. It happens after a prolonged, wearisome illness. It shockingly and violently happened to those little innocent children in Peshawar last month. I cringe every time I read about death, in newspapers, on social media. There’s no escaping it.

When I shifted to a new city, away from my family, each time the phone would ring, my first thought would be of something bad that has happened to my family back home, usually death in all its possible scenarios. Always anticipating bad news.

Near my house, I once saw a man lying askew in a corner. He smelt rotten; flies hovered over him. The cops didn’t touch the cadaver, as if the dead can cause death to the living, waiting for the hearse, the corpse pickers, the professionals to come and pick them up. For we all feel like that, that somehow death would catch us unaware, like a really bad cold.

Then I visited the Manikarnikaghat in Banaras, one of the main banks of the River Ganges, where about five to ten dead bodies are burnt every minute, and I was strangely attracted and repulsed by the place. I stood there, tightly hugging myself, looking at people in the business of cremation and how they went about their work – fetching logs, putting them efficiently on to the silk covered body, smashing the spine to break the corpse if it didn’t burn well – all with an ease of writing emails or throwing garbage. And I saw the others, the living, who stood on the sidelines as well, some involved, some bystanders like me, standing there. As if we were watching someone fight, or as if it was an accident on the road. Death both fascinates and repulses the living. It also causes fear and all kinds of superstitions.

While researching on my tantric fantasy, Cult of Chaos, I came across a dreadful tantrik ritual related to death, which was both awful and intriguing. Called Shava Sadhana, it is whispered about in conversations as if the very act of talking about it might bring in bad luck (and fatality) to the person. It’s practiced in a graveyard, on a new moon night. The sadhaka (the one meditating) is supposed to go through rigid rituals and then sit on top of a corpse all night, meditating all alone. Not any corpse, it has to be a fresh, complete, and unharmed one.

There’s a reason here for doing something that is obviously shocking. Tantrism believes that you have to set yourself free from the shackles of society, and its morality and religion. Started in medieval times in protest to the puritanical Brahminical religion which was ridden with racism, casteism and dogma, the tantrik activity accepted anyone into their folds as a student and encouraged them to unlearn everything they had learnt growing up in a society and become like an infant again. Like a baby who can eat her own shit or human meat without any judgment, drink her own pee and doesn’t think of nakedness as anything but there.

Shava Sadhana is in many ways the culmination of the tantric philosophy. It’s about touching and exploring that one thing you so fear – death – and the one thing you feel is impure – a dead body. All night, sitting on top of a corpse, realising you’re alone in your death, that dying is the supreme truth. That all of us have to go through it. Alone. And in that way, try and purge your fear of death.

I recreated the ritual in a scene in my tantrik fantasy, Cult of Chaos. Even though I took a lot of liberties in terms of rituals, there was one feeling that I got from it, which I think was true to the ritual. When Anantya Tantrist, the tantrik detective in the book, sat with a corpse touching her naked body, she (and I with her) felt alive. We touched the clammy, cold flesh of the dead and we could feel the blood pounding in our veins and hearts, could feel the way our lungs filled with oxygen, could feel life coursing its way through us. Being with a corpse also made her (and me with her) realise the ultimate truth – that she’s mortal and she’s going to pop off soon enough. As will I.

As will all of those I know. For all humans go that way. Experiencing the ritual, the scene, with my character was so powerful that it still remains with me. It is one of the most brutally truthful scenes I’ve written. My fears of death are still very much alive, especially death of my loved ones, but I can see it not as a disease that can somehow, somewhere be avoided, but as the truth, that will come to us all one day. No matter how much we fear it.

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Cult of Chaos, Harper Collins; Rs 350.

First published in Dailyo.in

Cult of Chaos Review @Dehradun Post

Don’t know where to put this one in, so just adding it in the ‘review’ category. Dehradun Post did an article on Cult of Chaos recently. I found it just by chance by name-browsing on Google Search. (There, confessed!) And was quite happy with it. What do you think?

Here’s the article.

In December last year, a weird news appeared in Newspapers and TV Channels in North India. A man cut off the genitals of a four year old boy, and ate them. When later arrested, he told the police that a Tantrik (a sorcerer or shaman or wizard or witch. Someone who claims or is believed to have magic powers) suggested it to him as a cure of his impotency. Most people who read the news not only felt sad for the little boy; they also felt a deep rage against the tantrik. And for obvious reasons. The incident proved a thing: Sorcery does exist in Indian society and there are people who believe in its potency, to the degree that they put their own brain to disuse; and start following anything some crook recommends.

Coming back to the sorcerer or tantra thing, a new book delving into the terrible, scary and horrific side of society, has tantra as its main thread. The book which is being billed as the country’s first tantra detective novel, is set in Delhi; or more aptly Delhi’s underbelly. The novel is titled Cult of Chaos and is by author-graphic novelist Shweta Taneja.

Continue reading “Cult of Chaos Review @Dehradun Post”

Cult of Chaos to launch with a quiz

For the launching of my book, Cult of Chaos, which is a thrilling, quirky journey through the supernatural underworld of Delhi, I didn’t want to do a humdrum book launch, one where I invite another author or a celebrity, ask them to formally launch the book and then talk about things.
I mean if you know Anantya, she’s a bit nuts. She doesn’t like conventional stuff. So I thought, why not do a quiz. Anantya loves to solve mysteries, Bangalore is nuts about quiz and I am plain nuts. So I’ve asked the guys at whysoQrious to create a fabulous quiz  and will be launching the book with that! Thrilled. Connect with the quiz event page on Facebook.
Superstar author and my mentor based in Bangalore, Sharath Komarraju will be formally launching the book. Do be there and support Anantya and me.
HCPI - Invites4, Cult of Chaos III (1)
Come over, let’s solve a puzzle to celebrate Anantya together!
DAY: 31 January, 2015
TIME: 5pm
VENUE: Atta Galata, Koramangala
Think you know your supernatural sleuths? To celebrate the launch of Cult of Chaos, the first book in the series of tantrik detective Anantya Tantrist, author Shweta Taneja takes you on a dark mission through detective thrillers, supernatural mysteries and investigators who dabble with devilish crime. So brush up on popular occult shows, comics and books and get ready to stun her with your psychic best. The duel is on!
For all ages. 

If you can’t make it, no worries. Pick up Cult of Chaos online:  Amazon // Flipkart // Infibeam //  URead

 

Cult of Chaos excerpt in DNA

Oh this is fabulous! DNA carried this excerpt from Cult of Chaos on their online worlds this weekend. This is from the first chapter on the book in which Anantya has gone on a blind date. Of course, it ends bloody. 😀

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This is why I rarely accepted cases from my own species and preferred to work with what humans call  ‘supernatural’ creatures. Sups of any kind, be it mayansor pashus, don’t judge tantriks by their  appearance. They determine your worth by the shakti you wield. Most of my cases over the last few years had involved sups. Ever since word had spread in the city that a pro-sup tantrik was ready to take on their cases, which was a rarity since most tantriks wanted to either kill them or enslave them, I had got all kinds of assignments. I had arbitrated between best friend asuras who become arch nemeses and, in their attempt to finish each other off, almost destroyed a chunk of Lodhi Garden between them; saved a yakshi from a spirit; a chandaali from a greedy tantrik and a tantrik from a vengeful bhuta. I  rarely refused a case. The only exceptions were the ones that involved daevas, elite heavenly spirits, who were as my teacher Dhuma put it concisely, treacherous trolls. A couple of days ago, I had turned down just such an offer. However, I was now beginning to regret it. Even dealing with a shifty daeva was better than sitting around a candle eating ducks and explaining myself to Mr SUV Headlights here. I took out my kapala, a skullcup that I used for my rituals, and placed it on the table.

‘Perhaps this will convince you?’ I said, smiling sweetly. The skull gleamed in the candlelight, throwing long dark shadows into the mirrors behind Nikhil.

‘Wow, a skullcup! Is it a real human skull?’ Nikhil inserted his hand inside its jaw and picked it up for a closer look. ‘Where did you find this one? I saw one on eBay the other day. Nothing less than one lakh rupees. Only the imitations are cheaper. How much did you pay for it?’

Was nothing sacred anymore? I stared at him, shocked, and wondered how many seconds it would take  for Lala to attack him. Lala was the old man whose skull Nikhil was molesting at the moment. Lala had begged me to ensure he didn’t descend into naraka after his death. He wanted to stay on in this world even if it meant that I used his skull as a sacrificial cup. So, after his funeral, I stole his head from his grave on a full-moon night. Ever since, Lala’s skull had been my kapala. And he hated anyone else touching it. How would you like it if someone poked inside your head? I dug out my boneblade, ready with a freezing mantra in case Lala fired up and became too hot for Nikhil to handle. (Although, frankly, a part of me was hoping Lala fired up.)

‘Are you Anantya Tantrist?’ asked a reedy voice behind me. I turned to see the headwaiter who had discussed wines with Nikhil a little while ago.

‘Yeah,’ I answered curtly. Nikhil plonked Lala back on the table.

‘You have an urgent call, madam,’ the waiter said. My old Nokia phone lay on the table. I switched on its screen. It seemed to be working. ‘Who is it?’ I asked, wondering if it was Dakini. No one else knew I had  come to this restaurant. The waiter paused and looked to his right, as if he was listening to someone.

‘Mister Qubera, madam. He wants to talk to you urgently, madam.’ For someone who stood in an air-conditioned space, the waiter’s face was very, very sweaty. Drops of perspiration rolled down his forehead and a droplet glistened at the tip of his chin.

‘I don’t know anyone …’ I stopped, suddenly realizing how quiet it had gone. So quiet that I could not hear the singer anymore or the tinkle of laughter. The singer was on the stage, but she had become mysteriously mute. The feeling that someone was watching us returned, and intensified painfully. I could kick myself for allowing Nikhil’s stupidities to distract me. I ought to have sorted this out before now. The waiter stared at me, his eyes vacant and glassy. He pinched and pulled the skin on his neck, like a shirt collar. Stupid, stupid rakshasa. Someday he will get into big trouble and get himself killed. Probably by me.

‘You have to come,’ he urged, bending down and grabbing my right arm with his clammy palm, his hand cold and hard as stone. ‘It’s urgent!’

‘What is the meaning of this?’ Nikhil hollered, his face pink with anger. ‘How dare you touch her? Where’s your manager? I want to speak to him!’

‘Sit down, Nikhil,’ I said quietly, my hand reaching for the boneblade in my satchel. I was glad I had brought it along, although I had left my belted scabbard at home. Fashion can be lethal for a tantrik.

Nikhil pushed the table away with a loud screech and rose to his intimidating six feet. Not that that would save him from a disgruntled rakshasa. He lunged, grabbed the waiter roughly by the shoulder and bellowed, ‘Let go of her!’

‘Urgent,’ the waiter whispered, sinking to his knees, his face still blank, his eyes empty, his left hand still frozen on my right arm. Poor guy. He didn’t have a choice really. I turned in one swift movement and slashed the waiter’s torso from his throat at the right collarbone to the solar plexus with the boneblade. Blood erupted and splattered my face and hair. A loud screech echoed somewhere behind me.

Excerpted with permission from Harper Collins India.

Book: Cult of Chaos
Author: Shweta Taneja
Price: Rs 350

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If you would like to read the book, order here:  Amazon // Flipkart // Infibeam //  URead.

 

Cult of Chaos: Free over at Goodreads

Starting today, am holding a series of free giveaways of Cult of Chaos over at Goodreads. Apply to get a signed-copy for free. Doesn’t get any better than that!

Goodreads Book Giveaway

Cult of Chaos by Shweta Taneja

Cult of Chaos

by Shweta Taneja

Giveaway ends January 22, 2015.

See the giveaway details
at Goodreads.

Enter to win


If you love books, join the community. And when there, connect with me.

 

My two bits on crime fiction in Asian Age

Recently, a kind guy who loves icecream, called Vishav, contacted me for my point of view on the rise of detective and crime thrillers in the English language space. The result was a really good article collating thoughts of authors like Kishwar Desai who is spearheading the first Crime Writers Festival in Delhi later this month and Juggi Bhasin. While giving the interview, I pondered on many things and had two surprises.

One was a rather straight one, the fact that the paper used a photograph of mine, on the same page as author Anita Nair and Mukul Deva. (Proof of arrival on scene, below. Oo.)

01_07_2013_101_005 (Crime Fiction 1)

01_07_2013_101_005 (Crime Fiction 2)

The second was a more insidious surprise. While giving the interview, I realised that not many Indian English authors had given this masalafied fiction to their readers before. Crime fiction, thrillers, mysteries and murders have always been popular with readers. What can compare to reading a cozy murder mystery with a cup of tea in one hand? So why hadn’t Indian authors explored the genre much before? Mind you, this is true only for Indian English and not for other Indian languages which have so much of what I call the pop-masala genre.

I feel in the last decade, there’s a new level of comfort that the Indian author has in her own style of writing, like wearing chappals and walking on pothole-filled streets in crime fiction. That of being comfortable in their own identity, their own experience, in their own chaotic cities, confused traditions and in their own unique style of crimes as well as crime solving. And this being comfortable and exploring Indianness in novels seems to be happening not only in crime fiction but also across genres in the country – be it high literary, historical fiction or romances.

On the other hand, readers want to read books about things that they experience, in the English that they speak or write, stories that they hear from their grannies and friends. Desi crime fiction, written in desi style with desi detectives as main protagonists.

About a few years ago, because there weren’t any really established thriller writers in Indian English (the other Indian languages have always been doing racy thrillers), readers had to look abroad for their thrill fixes. But now thankfully for both readers and authors, that is fast changing. I love the current range of thrillers, murders and mysteries that I can find as a reader in the market. I think this is bound to increase. No more can booksellers tag all authors under the vague ‘Indian author’ category. Nowadays readers are demanding all sub-genres in Indian english writing and authors are more than happy to provide it.

What do you feel? Comment below!

 

Cult of Chaos available on preorder

I just came back from a lovely holiday in Orissa and knocked on my neighbour’s door with glee. Reason was a package of books they’d received for me when I was holidaying. Nothing unusual, except, these books were the ones I had been working on since the last two years. I am so thrilled, so bummed with emotion. It’s been like this ever since I held the first copy of Cult of Chaos in my hands. It’s there now, next to the owls. So it excites me to tell you all, dear readers that if you would like to, you can preorder the copy on Amazon // Flipkart // Infibeam //  URead. The copy will reach you by mid-January 2015.

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Look on my face when I got the first copy in my hands! Captured by ever-present, A.

 

The book’s main character, Anantya Tantrist, has become a friend through whose eyes I have the most marvellous of adventures.  Here’s hoping you can have a few too.

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