Results of the IITK Competition

Even though I have been quite tied up with the launch of Cult of Chaos, I was glad to have said yes to a chance of judging the Haiku Competition for IIT-Kanpur students. There was a first for me too. I’ve never judged before and wasn’t sure I could do a great job of it. So to figure out the winners, I decided to use reason rather than instinct. Finally, here are the results. Loved the three I chose! And being rather wordy, am amazed at how these haikus could express things. Both intellectually and emotionally. Enjoy the lovely poems!

THREE WINNERS (not in sequence)

Vaidehi Menon

Winter vibrations
Teeth chatter, bodies shiver
Hear the symphony
(This has been able to capture the music of winter very well. Though I wish the word ‘winter’ hadn’t been used. It kills subtlety.)

Harshit Bisht

201501121450Cups of steaming tea
Under the afternoon sun
And her memories
(This haiku makes me linger. Makes me ponder on my own memories and that hot cup of tea. Again, it has captured winter as I’ve experienced it.)

Nitica Sakharwade

Light sleeping angel
Deep under the snow she lies
In quiet misery
(I so wish the first line could’ve improved a bit. But I loved the surprise of misery that the haiku ended with. Again, a trueblue winter haiku)

ALMOST MADE IT (not in any sequence)

 

Swapnil Gupta Continue reading “Results of the IITK Competition”

Blogging at HuffPost India (+interview)

 HuffPost India runs an extensive blog section and I had to get in. To start it, this week, I have posted an updated version of the blog about Rajnikanth and a community that lives near my home. Next week, something sinister is coming up. Keep a track 🙂
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Marketing for my book has taken over my life currently. I’ve been writing and talking, furiously. Nothing fictional, but something that is somewhat more difficult: it’s all about myself, about Cult of Chaos, about Anantya Tantrist, so much that I see friends getting the tired ‘there she goes again’ expression sometimes. But then, I’ve worked on this book for two years and so have to do this for a month or two more, hoping that the books takes off, gets some wings before I sit back in my corner and start writing again. So I got an interview done for a blog Locomente. Here’s a bit of my favourite part.

Tell us something about your kickass tantric heroine – Anantya Tantrist.

Anantya’s a spunky independent girl who lives in Chandni Chowk. She has had a violent, abusive past, but she doesn’t feel like a victim. In fact, she’s quite the opposite. She has shifted to the city recently, but made it her own. Her profession, that of a tantrik detective, is her own choice completely. She has shrugged her father’s patriarchal legacies and the luxurious life she was offered to make it on her own in Delhi. She is not a goody-goody girl in any way. She smokes beedi, spews gaalis, glugs drinks at a seedy bar, and has one-night stands with various species. She lives by her own morality and ethics and doesn’t care two hoots on what the society thinks of her.

Professionally, I think she’s attracted to danger and unsolvable mysteries. She’s quite good at this detective thing she has fallen into. She enjoys being in the centre of action and likes to solve cases and help the underdogs of the supernatural underworld. She hates most of the tantriks around her though.

The complete interview

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Lastly, I’ve started a giveaway on Goodreads. I love the way they take complete control. All you have to do is say I have a copy of the book and I will send it to someone by post. As a reader, all you have to do is click and hope that you win the lucky draw.

Cult of Chaos: Free over at Goodreads

Starting today, am holding a series of free giveaways of Cult of Chaos over at Goodreads. Apply to get a signed-copy for free. Doesn’t get any better than that!

Goodreads Book Giveaway

Cult of Chaos by Shweta Taneja

Cult of Chaos

by Shweta Taneja

Giveaway ends January 22, 2015.

See the giveaway details
at Goodreads.

Enter to win


If you love books, join the community. And when there, connect with me.

 

The Skull Rosary in The Hindu (Tamil)

The Skull Rosary, a graphic retelling of Shiva’s darkest stories, whizzed past me in between the launch of The Ghost Hunters of Kurseong and completing Cult of Chaos. I couldn’t even tell my friends about it much, or think about how lovely the book turned out to be. I still quote it every now and then, because I experimented so much in that book and had such a great time creating it. (It also surprised me by winning a nomination for Best Writer in Comic Con India)

So it was great to be tagged to an article from King Viswa who writes for the Tamil edition of The Hindu. He compiled a list of top-ten graphic works in English and Tamil and claimed the graphic novel to be one of them. Over to him.

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The Best of the best: 2014’s Top 10 Sequential – Digital Graphic Novels and Sequential Art

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Dear ComiRades,

Last Year was a fantastic one. Was reading so many lovely books.

Continue reading “The Skull Rosary in The Hindu (Tamil)”

The ghosts of IIT Kanpur

‘Do ghosts stay in Banyan trees or Peepal trees?’ I asked the gardener, a young fellow, sitting on his haunches in the IIT-Kanpur campus nursery. It was a question which, pardon my pun, had been haunting me since days. I usually mess up my names, so couldn’t remember which tree it was that was a popular ghost hangout in India’s village folktales. In many ways, a genuine research question from my end, a writer who collects folklore stories.
‘Eh? Ghosts are not real,’ said the senior gardener, an irritated old man, before the younger one could reply, dismissing my question . I asked the same question to a  professor who had been kind enough to take me out for dinner in the city (She rides a bike, has fond memories of Kurseong, and is  a blast of a thing to hang out with).
‘You won’t find any ghosts at the campus,’ she scoffed, ‘it’s too clean.’

Over the years, the campus, as if to give a contrast to the filthy, chaotic, grimy city that surrounds it, has become pristine. The roads are swept, wild bushes have been cropped into submissive, acceptable shapes and guards open and close gates regularly, on time. It’s clockwork, it’s boxed, and I agree – a ghost would feel rather stifled.
But I wasn’t about to give up. I decided to turn to students, always more open about things that don’t exist and quite imaginative. So I headed to the undergraduate literary club (assuming people interested in fiction and poetry have higher levels of paranormal imaginations) and asked them.

‘Are there are ghosts floating around in the hostels?’
‘Well,’ said a boy, ‘there have to be no? Since there are so many suicides.’ He told me a macabre tale of a room (I forget the number) which has had two suicides in a row and then was talked about for years.
‘Yeah,’ said another, ‘but the room is cleaned, new students come in for the next semester and the ghost is forgotten.’ As I gulped that fact down, one of the students mentioned the virulent post I’d written about IITians way back. (Trust students to come well-prepared to an impromptu discussion!) I gulped again, caught. I had completely forgotten about it.
‘We thought you would come here and hate us,’ said the student.
‘It’s not about you,’ I claimed quickly, trying to mend things, ‘It’s about the arrogance that a tag like IIT carries in the society. I mean studying here doesn’t make you write better books or make better movies. Then why claim it? Do you feel proud to have come into this university?’
For I am fast learning that kids actually get depressed if they don’t get into an IIT.  With good reason perhaps. The campus has the best faculty, the best facilities, sports complexes and anything a student might need. It also has a great placement cell.
‘Everyone here gave the exam and passed it,’ said a first-year student. ‘So we don’t feel special in any way here. But when we go back home, our family fusses over the fact that we got through IIT. Personally, I feel the credit goes to the coaching class I took. They promised me they would put me into IIT if I paid their fees of a few lakhs and they did.’ There’s humbleness in the statement, but there’s also the truth: Coaching classes have cracked the IIT exam, which is one of the reasons for its skewed gender ratio in the campus today.
I continue the discussion (my badgering might be the reason they asked me to judge a haiku competition later on.) throwing in a casual question about truth and if they feel it can be defined holistically. It was a trick question. For the arts teaches you to look at the world personally, look at fractures and not the whole. The whole can never be defined. Whereas, in science, you can’t start with uncertainty. There has to be some base, some solid ground from where you start building things. The rest of the hour goes by happily, in confused arguments and flabbergasting rhetorics.

This conundrum carried into the faculty tearooms I visited. At the Arts department, the faculty I met, spoke the same language as me, that of broken pieces, of fractures. But the most interesting perception I found was at the Computer Science department which carries the creme-de-la-creme of both students and faculty at the campus. I guess because computer science gets the heaviest of salaries (a high concern for parents who’ve spent lakhs on coaching their kids to get into IIT) and remains the most fashionable professions in India today. The discussion started with two mathematics professors. (No female faculty here, so I might have been the only privileged female to have entered the tearoom in a long, long time.)
‘Isn’t all modern mathematics made of assumptions, what you would call axioms?’ I asked. Rather cheekily, I confess.
‘Mathematics is the absolute truth,’ one of them replied, ‘the language which will be understood universally, across time.’
The statement, though a good start for a mathematician who has to complete the starship started by others, was bait for the artist in me. So I fell, hook, line and sinker.
‘Will someone understand it one thousand years later?’
‘Yes.’
‘What if an alien contacts us and doesn’t understand the maths we’re working on?’
‘Not possible. Mathematics is the true language, the absolute.’
‘Ok-ay,’ I said, sipping tea for a bit. ‘Do you understand the mathematics that was explored by the Greeks and the ancient Indians?’ I had just doled out my finest trap.
‘No,’ he said, ‘But that’s because I don’t try to.’

We left the argument midway, because each had to go back to their own professions, their own convictions and passions. The conversation stayed with me because I was fascinated, as a person who’s always fractured, looking at broken pieces of truths, that someone could be so absolutely sure of proofs and axioms other humans have made. I guess it has something to do with the fields both of us work in.

Another equally fascinating encounter was with a superstar prof, again a mathematician, a really senior one, who late night after dinner, asked me a problem of something called the pigeonhole principle. Forget the solution, I couldn’t even understand the problem. He, in drunkenness of spirit, his eyes shining bright with the true power of mathematics, tried to explain it to me again and again. I might have been the most failed student he met.

I stayed at IIT-Kanpur campus for three weeks, a heavenly stay in an apartment which was far too big for me, my husband and the two minimum suitcases we carried with us. We cycled back and forth, from our office to the various canteens, an Olympic size pool, to badminton courts, to the tiny bookshop which has nothing but textbooks, to the beautiful library, to Cafe Coffee Day which has subsidized coffee for some reason, to the backlanes where guards try to stop us and little owls sit on lampposts, staring at all the human drama. We met and argued and discussed many things with intelligent and fascinating people, each working with dedication in their own fields.

We also saw how the campus, a little world in itself was a strictly segregated one when it comes to social interactions. The faculty there were the gods, followed by the students. (A male professor’s wife, who wants to throw her weight around at the campus, calls herself ‘faculty wife’, a term I remain fascinated by. In another anecdote I heard, the rickshaw pullers and the dhobis ask more money from visiting parents, citing that their child will start earning in lakhs per month in a few years time.) Then comes the staff, the full-timers who get all the benefits of a government job and live on campus, and the contractors, the ones responsible for sweeping, cleaning, caretaking, who get nothing but a minimum wage and longer working hours. Each one low on the pyramid is scared of taking decisions in case the one up on the pyramid has a problem. So far, exactly how everyone in a government establishment functions.

As I walk from the faculty apartments space to where the staff lives, the streets get thinner, the lights dim and temples and oily samosa joints crop up. This segregation between staff and faculty remains, in different canteens on campus (one of the canteens is known as staff canteen). My husband who goes and plays badminton in the old sports facility, is asked by a professor to come in the morning and play with them. Because evenings are for staff members. This divide pervades the campus as does the divide between the cream departments and artsy ones like design and literature, who are sidelined in this university, offering courses which students are forced to take in the name of ‘holistic’ education. Seems that like its clean roads, clean boxed buildings and controlled landscapes and rules, the campus has fitted in a social division too. Intelligently and logically filed, in boxes.

The rest of the adventure follows in pictures. Enjoy!

This was a perception over a short stay at the campus, not the absolute truth, rather just that–broken perceptions. Any assumptions, exaggerations, offensives remain mine.

My two bits on crime fiction in Asian Age

Recently, a kind guy who loves icecream, called Vishav, contacted me for my point of view on the rise of detective and crime thrillers in the English language space. The result was a really good article collating thoughts of authors like Kishwar Desai who is spearheading the first Crime Writers Festival in Delhi later this month and Juggi Bhasin. While giving the interview, I pondered on many things and had two surprises.

One was a rather straight one, the fact that the paper used a photograph of mine, on the same page as author Anita Nair and Mukul Deva. (Proof of arrival on scene, below. Oo.)

01_07_2013_101_005 (Crime Fiction 1)

01_07_2013_101_005 (Crime Fiction 2)

The second was a more insidious surprise. While giving the interview, I realised that not many Indian English authors had given this masalafied fiction to their readers before. Crime fiction, thrillers, mysteries and murders have always been popular with readers. What can compare to reading a cozy murder mystery with a cup of tea in one hand? So why hadn’t Indian authors explored the genre much before? Mind you, this is true only for Indian English and not for other Indian languages which have so much of what I call the pop-masala genre.

I feel in the last decade, there’s a new level of comfort that the Indian author has in her own style of writing, like wearing chappals and walking on pothole-filled streets in crime fiction. That of being comfortable in their own identity, their own experience, in their own chaotic cities, confused traditions and in their own unique style of crimes as well as crime solving. And this being comfortable and exploring Indianness in novels seems to be happening not only in crime fiction but also across genres in the country – be it high literary, historical fiction or romances.

On the other hand, readers want to read books about things that they experience, in the English that they speak or write, stories that they hear from their grannies and friends. Desi crime fiction, written in desi style with desi detectives as main protagonists.

About a few years ago, because there weren’t any really established thriller writers in Indian English (the other Indian languages have always been doing racy thrillers), readers had to look abroad for their thrill fixes. But now thankfully for both readers and authors, that is fast changing. I love the current range of thrillers, murders and mysteries that I can find as a reader in the market. I think this is bound to increase. No more can booksellers tag all authors under the vague ‘Indian author’ category. Nowadays readers are demanding all sub-genres in Indian english writing and authors are more than happy to provide it.

What do you feel? Comment below!

 

New year’s ahoy!

It’s a beautiful day outside. Have you looked? It’s rather misty and mysterious and full of invisible monsters who tickle to make you smile. Such a pwetty day it is. Let me take it as an opportunity to say thank you for being with me here, for reading my blog, for encouraging me with your clicks and comments. You might be a stranger or my best friend, but here, you are anonymous and can be without being judged. Here’s wishing we all can live our lives as if we were anonymities spread across the net. Without being judged.

This year, has been a rollercoaster ride. Work-wise, I’ve got so many lucky breaks. I’ve signed a three-book contract, done detective workshops at schools andgot love through emails, received extensive media coverage, got gifted an owl painting by a 12 year old fan, broken the barrier of literature fests (Bangalore, Chandigarh) and got nominated for Best Writer at Comic Con India. It doesn’t end there for I just received advance copies of Cult of Chaos, a novel which is very close to my creative heart.

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On the other hand, I’ve been on the sidelines of a friend’s battle with craziness and seen how all of the above doesn’t really matter. Because what matters is life and health. For this year, most of all, I am thankful for so many things that life’s gifted me: unexpected kindnesses, my family’s healthy laughter and those little marvels of happinesses–nieces and nephews and little fans.

I wish you all a hopeful, determined, hardworking and positive year. Stay happy all of you! Oh and do keep reading and buying books 🙂

 

 

 

Cult of Chaos available on preorder

I just came back from a lovely holiday in Orissa and knocked on my neighbour’s door with glee. Reason was a package of books they’d received for me when I was holidaying. Nothing unusual, except, these books were the ones I had been working on since the last two years. I am so thrilled, so bummed with emotion. It’s been like this ever since I held the first copy of Cult of Chaos in my hands. It’s there now, next to the owls. So it excites me to tell you all, dear readers that if you would like to, you can preorder the copy on Amazon // Flipkart // Infibeam //  URead. The copy will reach you by mid-January 2015.

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Look on my face when I got the first copy in my hands! Captured by ever-present, A.

 

The book’s main character, Anantya Tantrist, has become a friend through whose eyes I have the most marvellous of adventures.  Here’s hoping you can have a few too.

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Roped in to judge a haiku competition at IITK

Earlier this year, I spent three weeks at the lovely IIT-Kanpur campus all thanks to some work my husband had there. There were many new experiences involved in it for me, including living on a campus, cycling from home to work and interacting with faculty and students who talked more engineering and science that philosophy. (I will be writing a more detailed blog on these experiences soon)

After a couple of weeks, desperate for some shot of creativity in that island of facts, I sought the company of English Literary Society at campus on Saturday evening, run by enthusiastic bachelors’ students there. It was a marvellous hour spent with about twelve of them, in a round table discussion on what believing in science means to them, how they feel once they’ve entered this ‘heaven’ of Indian education and delving into philosophy of what truth means and if it’s but a perception. Informal, full of riveting discussion and super fun.

lol-haiku

So I was quite surprised to see an email from them earlier this week, asking me to judge a Haiku competition which they are hosting at campus right now.  I wasn’t sure about it since I’ve not written Haiku since a long, long time and studied the short poetic form so very effectively used by the Japanese writers, very briefly in my masters of English. I am wordy and usually write long forms.

After a few email exchanges with them though, I had to say yes, since they seemed convinced about their choice. I have had a slight alien relationship with competitions in general, having written on how winning is important for little kids and also on how competition is perceived as healthy in our modern society. So it would be a test of myself, to see what the whole judging process will bring out not only in those who are entering this competition, but also in me, who is selecting the ‘better’ entries.

Let’s hope the ones that are ‘judged’ won’t come back on me, screaming vengeance. Always a risk in our rather competitive society, isn’t it? I will be posting all the entries I like on my blog later and the reasons that I chose them (if my instinct is kind enough to grant them). Till then, ciao!

(Image source, with thanks)