Tag: author

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Make time travel with time-lapse video apps

A sunset crunched in 3 seconds. A party shortened to a few minutes. Time-lapse videos used to be a pain to shoot but now with smarter apps they’re as simple as, well, taking a selfie. Here are a few apps to turn you into a video pro.

Hyperlapse

If you’re an Instagram workhorse, Hyperlapse is the app for you to capture a speedball video. The app smoothens hand-held videos using a fantastic image-stabilization software that uses data from your phone’s gyroscope to measure and remove frames that are shaky. Run, walk, jump, fall, drive and take a video and get a cinematic feel without lugging around a selfie stick or a tripod. All you need to do is hold the phone camera up, shoot a video, choose how fast you want it to go (it can speed up your videos up to 12 times)and upload. The only downside of the app is that it is available only on iPhones.

Free on iPhone and iPad. Hyperlapse.instagram.com

Microsoft Hyperlapse

One of the few apps to create timelapse on Windows Phone, the Microsoft Hyperlapse Mobile comes with a simple, easy-to-use interface. It offers 32x speed, so you can crunch hours of videos into a few minutes. And you’re not limited to just the app. You can import any video, taken anywhere and speedball them up. What we also loved is that it can record 1080p videos. That’s pro- quality video for free and just right to be seen on the biggest screen in your home. This app can also stabilize videos, though that happens only if you choose 1x speed.

Free on Windows Phone and Android. Research.microsoft.com

Framelapse

Build by Noida-based computer engineer Nishant Singh as part of his project in the last year of his B.Tech course, the app comes loaded with features to take a hyper video. You can adjust the frame interval, speed, zoom, autofocus, adjust white balance, choose the front or back camera, set video resolution and take a video in landscape or portrait. You can also set up a video duration to stop recording automatically. So just place it in a corner of a party and let it do all the work while you mingle. The Pro version, which costs $2.99 (around Rs204), has added advance functions like sleep mode that reduces battery drain while recording and customization of the length of the video, exposure and frame interval.

Free on Android. Neximolabs.com

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Year end and so much to be thankful for

Time is a thing of beauty. There are moments it trickles, slows down enough that you can hear your heart beat, beat by beat. There are flashes when time zooms, taking you on a journey full of laughter and glee. That’s how my 2016 went. Flew by, waited tiresomely and pondered. So I just want to list down the things I was thankful for.

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Made new friends

Beginning of the year, I shivered and learnt from Booker Prize winners at Chichester as a Charles Wallace fellow. Gave a talk in London. Worked on three books simultaneously, editing two and writing a new one. Learnt how empty it feels when you finish a project you’ve been with for years. Wandered in loneliness and heard myself. In the process, hung out with new people and made new friends.

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Learnt about failure

The book I started, refused to come to me. I lacked the skills for it and had to park it. I learnt to breathe and learnt about patience. I learnt to let things go. Attended a wedding in the middle of July in Delhi. Roamed on the streets. Found bugs with nephew and saw them through a lens so we could appreciate the beauty in their wings.

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Did things new to me

Saw a zebra running wild and a lioness being licked by her cubs. Found how hard it was to plant a tree. Launched a book and became a hybrid author. Started a new book, which I’m halfway through as I write this and am hoping to finish. Joined an ATM line, two days after demonetisation was announced and read a book on my Kindle. Joined two startups as their communication advisor.

All through this, I made many new friends and spent time with my old ones. Wandered the streets, chattered over filter coffee and green tea. Heard stories, nodded in empathy and danced away the nights. I’m so thankful my year went so beautifully.

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As you read this, I’m off somewhere in Madhya Pradesh, with my closest buddies, doing what I do to recharge my creative batteries: Walking, hiking and listen to collective wisdom on the road. I’ll come back with new stories, probably of ghosts, woes to share, ideas to write down and more things to be thankful for.

Have a wonderful year end, peeps.

Read, learn, make new friends, be merry, share laughter with strangers, fall in love, learn a new skill, slow down, get fit, plant a tree and listen to what it says to you. Take your life away from gadgets and make time for the people you love. For we won’t be here forever. And remember to be thankful for everything the universe has given you. Oh, and keep having that tea with Mad Hatter.

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Award-winning author Jim Crace on how to win a literary award

I had a chance to attend a talk of the award-winning English writer Jim Crace in Chichester University when I was there for a writing fellowship. He was marvellously witty, charming and brutally honest about the publishing industry and how to keep an eye out for things that destroy writing. His latest novel Harvest,  won the 2015 International IMPAC Dublin Literary Award, the 2013 James Tait Black Memorial Prize, and was shortlisted for the 2013 Man Booker Prize. That’s a lot of awards for someone who’d famously announced his retirement and then backtracked when a new idea took over his mind.

Post the talk, in true Brit tradition, as we headed to a pub for beer, I had a chance of interacting with Jim one on one and frankly, was charmed away. He was a great listener and genuinely interested in my experiences as a “genre author” from India. The journalist in me insisted that I record a few sayings of his for myself, as inspiration. And so I wrote to him post our conversation and got him to answer a few cheeky and not-so-cheeky questions. Here are the excerpts from an interview. When in doubt, follow his advice, I say.

Q) If someone wants to win a literary award, like you have, how should they go about it? 

Don’t even think about it. That way, madness. Winning prizes is just a matter of luck and it is entirely beyond your control. There’s no accounting for taste; there’s no controlling the judges; and even if you were able to pack the selection committee with all your cousins, there is no guarantee that any of them would vote for your book.

Q) Any suggestions for writers who’re stuck in a vast desert called the middle of a novel?

There are a thousand answers to this. But there are no golden rules except that -as with all great deserts- it’s useful to have a camel and some water. What has worked for me is to stop at the end of each day, knowing exactly what I have to pick up on the following morning. I also commit the first line of, say, Chapter 20 to the screen or page, just as I am starting on Chapter 19. It gives Chapter 19 a sense of destination.

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Neil Gaiman’s handwritten notes

Call me old fashioned, but there’s something in notes that are handwritten. So I salivate after notes of my favourite authors, trying to find bits and pieces of handwritten marvels from them, when they were constructing my favourite books. So imagine my sheer bliss at having discovered Neil Gaiman’s notes on his book American Gods. of that’s been handwritten. Glee.

Initial thoughts about the book

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The zero-baggage webapps

Smartphone users are tired of downloading and updating apps. It’s time for businesses to think about Webapps

Gunjan Jain, a Delhi-based media professional, spends most of her time on her iPhone 5s, which has 16 GB space, with no memory card slot to add more. To save battery, she has switched off the auto update feature for the 20-25 apps she has on her phone. She manually updates apps on her phone every month. “Sometimes I have to delete old apps before I can try new ones as there’s no extra space for them on the phone,” she says, wishing there was a simpler solution.

It was storage space issues that made Bengaluru-based Kiran Jonnalagadda, a technologist and founder of HasGeek, a community of technologists, buy a OnePlus 2, with 64 GB extendable space, six months ago. “I’m a heavy app and data user and have over 100 apps on my phone,” he says.

What are Webapps?

Although mobile applications, as we know them, have proved to be quite useful, they’re also inconvenient. The ones you can download on your Android, iOS or Windows 10 smartphone are called native apps. If your phone doesn’t have enough storage space, these apps can become a massive headache. The solution lies in using apps on Web browsers, such as Google’s Chrome or Mozilla’s Firefox, on your phone. Continue reading “The zero-baggage webapps”

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A million ways to read

Share your book, read an unlimited number of them or just pay for one chapter. E-book publishing is becoming flexible in a bid to suit individual needs

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Author Ursula Le Guin on how to start a story

There’s a germ of an idea in your head which craves to be built up into a novel. It urges you to fill copious amounts of empty pages with plot lines, character sketches, scenes and more. All this while, you’ve not written even a single piece of your book. Where do you start? How do you start writing, just like that, start it and continue page after page after page for atleast 150 odd pages? How does the idea, the plot line, the character, the scene come together? I’ve always wondered and pondered and thought about it. It’s a question that doesn’t end even though I’ve started and finished a few novels now. Finally I came across author Ursula K Le Guin’s brilliant advice on how to start a story and had to include it in  Witchery of Writing series.

My own experience of starting is different for every story and every book. In my teens and twenties, I made endless enthusiastic starts to dead ends. Gradually I learned that if I got thinking about a place or a situation that felt like there was a story in it, and if I hung on to that place and that situation, put my mind on it, then people and what they’d do (their behavior, the events, the plot) might begin growing out of it. Sometimes quite rapidly, as if the story was actually all there already and just needed to be written. Sometimes only with a long time of pondering, brooding, working it out, making notes, rethinking. Occasionally, as I got more experience, my first glimpse of a story was like seeing a trailhead. What I had to do was start following that trail (in the person of a character) and discover as we went where we were going. (“I learn by going where I have to go.”—Roethke.) I call this “writing the way through the forest,” the same metaphor Karla uses — and I honestly do not recommend it to an inexperienced writer. Continue reading “Author Ursula Le Guin on how to start a story”

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Talking about Indian comics in London

I’ll be giving a talk on Indian comics at the Cartoon Museum in London later this week. This post is about how it happened. It’s a good story, do read it!

Early in May I attended a workshop on British comics, full of comic scholars in London, led by the marvellous Paul Williams from Exeter University. There I was, in bustling, sunshine-y London, closed off in a small room with twenty scholars, who had brought along old comics from the 40s, 50s, 60s, 80s – all decades really. We discussed on visual imagery in war comics, what British identity means, and many other important things. And I didn’t miss the outdoors, which says something about the comics, the activity and knowledge that these fabulous scholars presented there. But I digress. What happened in lunchtime is what led to the talk.

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We munched on fried fish, aalo pakoras (you read it right), spring rolls and quinua salad in the pub while talking comics and then headed back to the Cartoon Museum, which is where this workshop was happening. It was a 10 minute walk. While walking back, I happened to accompany Anita O’Brien, the curator at Cartoon Museum and then of course it being comics, I started yapping about my love of comics and how there are so many talented artists doing fantastic things in India and how she should do something about it here in London. She told me she’d commissioned the World War I graphic novel with Campfire. I told her the artist, Lalit Sharma, was a good friend. We found out we knew more than a couple of other artists from the industry.

‘You should do something more on Indian comics here!’ I cried, my head buzzing with ideas.

‘Why don’t you do it?’ she asked, calmly.

‘Me? Do what?’

‘Talk about Indian comics,’ she said.

‘Oh,’ I said, rather eloquently.

And that’s how it happened. Before I knew it, I’d asked Jason Quinn to ask me the right questions in this talk, who was sweet enough to agree. We will talk about comics coming out from India, some of which we love, some which we don’t, swap tales, talk about my work and his and anything else we feel like really. We have the stage after all.

If you happen to be in London and would like to join in the joy ride, come over. It’s a free event and you’ll get to hear stories about comics. What can go wrong with that? All you need to do is register yourself by sending a tiny email to the Cartoon Museum at [email protected] to reserve a seat. It can be a sentence long, really. I don’t think they have a word limit to it.

Finally, the moral of the tale (for there’s always a moral): Always walk back from the pub and always yap about the things you love. 🙂

Hope to see you there!

 

 

 

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Guest post: Is Vanity Publishing Author Exploitation?

Rasana Atreya is the author of Tell A Thousand Lies (shortlisted for the 2012 Tibor Jones South Asia prize), The Temple Is Not My Father and 28 Years a Bachelor.  UK’s Glam magazine calls Tell A Thousand Lies one of their ‘five favourite tales from India.’ Valley Isle Secrets is her first foray into fan fiction set in the USA. Website.

Vanity publishing has arrived at publishing conferences and literary festivals, and this should be of great concern because vanity publishing is less about emulating trade (also called traditional) publishers, and more about convincing gullible authors to pay for services they do not need. Aspiring authors attend these conferences and festivals. The more they hear about these publishers, the more it gets legitimized in their minds.

You, as an author, owe it to yourself to be well informed. There is plenty of good information available on the Internet. Plenty of bad information, too. Learn to tell the difference. If you want to be a published author and have your book available for sale – either submit to trade publishers, or self-publish. If all you want is print copies of your book, go to your local printer. It works out much cheaper, and you also retain rights to your books. Stay away from anyone who wants money to publish you.

I cringe when vanity publishers call themselves ‘self-publishing’ companies. When you take the ‘self’ out of self-publishing, i.e. you – the author – do not upload the book yourself, it is no longer self-publishing. All that remains is vanity publishing.
I was a panelist on the nuts and bolts of self-publishing on Sept 12, 2015 in PublishingNext, Goa. This post is a combination of my take-away from there (a fabulous conference, btw), my comments as a panelist, and also my own impressions.

It getting harder for UK- and US-based vanity publishers to get naïve authors to fall for their ‘publishing packages’ – which can run into tens of thousands of dollars. This is thanks to activism on behalf of authors by platforms like Writers Beware and Preditors & Editors. As a result, vanity publishers have moved operations to Asia and Africa. That includes India, of course.

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Why speculative fiction may be the best way to depict reality

In 2001, while receiving the Carnegie Medal for his children’s bookThe Amazing Maurice and his Educated Rodents, author Terry Pratchett said, ‘We categorize too much on the basis of unreliable assumption. A literary novel written by Brian Aldiss must be science fiction, because he is a known science fiction writer; a science fiction novel by Margaret Attwood is literature because she is a literary novelist. Recent Discworld books have spun on such concerns as the nature of belief, politics and even of journalistic freedom, but put in one lousy dragon and they call you a fantasy writer.’ Pratchett was England’s most popular author in the 1990s (before yet another fantasy author, JK Rowling took over), having sold over 85 million books worldwide in 37 languages. The Amazing Maurice is a tale of a cat and a group of rats fighting monsters and two-legged humans in a quest for their survival and deifes any categories really, be it a metaphor, a children’s book or even a fantasy fiction.

For most of us, it’s the dragons who breathe fire, immortal vampires with icy smooches and marble-skin and werewolves and robots and faeries and artificial intelligence who want to take over the world—these are the things that take us back again and again to the speculative genre. We live in these make-believe worlds, we see them through the dragon’s eyes, through the wizard’s adventure, through the superhero’s flight in the sky. For those few hours a day, swashbucklers we, slay with our Valyrian swords, dashing away from the Nazgul, and facing worst dementors by becoming Jedi masters. For fantasy, be it in gaming or books or movies, is perceived by the majority as escapism and a desire to live in alternate realities.

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