How does one research into occult? In the climax of Cult of Chaos, the first novel of my tantric fantasy series ‘Anantya Tantrist Mystery’, the protagonist Anantya and her teacher, Dhuma, an aghori who lives in a cemetery, embark on a complex tantric ritual to call upon a charnel goddess, Shamshana Kalika, to the human plane.
The ritual called Shava Sadhana requires Anantya to sit on top of a corpse on a full moon night. I first came across this dramatic ritual in The Calcutta Review Volume XXIV written in 1855. In true Victorian Gothic style, the text explained that the sadhak, or the one who meditates, sits on top of a dead body, preferably a corpse of a chandala who has died a violent death, on a full moon’s night, so as to gain command over impure spirits like danavas, betalas, bhutas, pretas and other paranormal goblins.
While researching this scene, I sat on top of a corpse, all night, in suffocating darkness with Anantya. We touched the cold, clammy flesh of the swollen corpse and we felt blood pounding in our veins and hearts. Sitting on that corpse, waiting to connect with powers beyond the human consciousness, made me realise the ultimate truth of all human lives: That the day shakti (alternatively meaning energy, prana, life, or soul) stops coursing through our bodies, we will cease to exist and maggots will consume the bodies we call our home. This relationship with death and life, expressed in such a dramatic, dreadfully mesmerising way, stays with me even three years after I wrote it.Continue reading “The possibilities of the occult in fiction”