Tantric Tales: A documentary, real life stories and an occult quiz

The occult quiz is back by popular demand! This time, it’s the kind people at The Beehive who’ve owned up everything tantrism and will be hosting it at The Humming Tree, probably the coolest place in the city to hang out at. We will talk about Cult of Chaos, do an occult quiz (with prizes), a documentary on witch hunting in India and finally, the thing I’m most looking forward to: Everyone who comes there, the audience, the barman, the friends and family, will all sit in a circle and tell a real life story they’ve heard about paranormal, supernatural and tantrism.

VENUE: The Humming Tree, Indiranagar, Bangalore
DATE: 26 April, 2015
TIME: 4-8pm

So come, listen to occult stories! It’s going to be fun. Here’s the fabulous invite made by Aakanksha.

Chillli lemon Beehive final

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THE BEEHIVE
presents
TANTRIC TALES
Exploring the supernatural with Shweta Taneja
author of ‘Cult of Chaos’
In this session of The Beehive, we will explore some secrets of dark magic, tantrism and cults that exist at the fringes of our society with a documentary on witch hunting, a quiz and trivia session and a discussion on tantrism with author Shweta Taneja whose new book, Cult of Chaos has been published by Harper Collins India.
4.00 pm – Documentary
5.00 pm – Trivia and Quiz
6.00 pm – Discussion on Tantrism and Cult of Chaos by Shweta Taneja
6.30 pm – Book Reading by Shweta Taneja
7.00 pm – Story Sharing Circle
We invite all of you to be a part of this and share with us your own personal experiences or stories that you’ve heard from your mother about what happened to your aunt’s daughter’s brother-in law when he was travelling through the Western Ghats on a full moon night.. or the one about the neighbour who took a swim in the village pond and was possessed by the spirits living in the old peepal tree, where she hung her clothes. The best story will get a signed copy by the author!
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VENUE : THE HUMMING TREE
———————————————The Humming Tree is a concept Live Music and Arts Venue (operating as a bar/café as well) opened in June, 2013 and located in Bangalore, India.———————————————
ORGANISERS : THE BEEHIVE
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The Beehive is a participatory gathering of all the wonderful pool of talents, dreams, hopes, skills and innovations. We all share, we all learn, we all love. Every month, ‘The Beehive’, at The Humming Tree brings something new.

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See you all there this Sunday!

Story of my three book contract

Earlier this year, I signed on a piece of paper with a trembling hand and suddenly, I was an author with a series contract with Harper Collins India. My transformation left me with nothing but a sense of giddiness and sweaty palms. As the elation vanished, I realised that I had only written one of the three books promised to the sweet gals at HC so I went back to work, keeping the contract carefully plasticated somewhere in a forgotten drawer.

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Which is why I completely forgot to tell you all, my readers, friends and those who’ve rooted for me (or would like to now) about how it happened. So here’s the tall tale.

For my first book, The Ghost Hunters of Kurseong, finding a publisher had been quite a breeze from what I had been expecting (1. Get rejections from all major publishers 2. Put it up online as an ebook and then figure). When the wonderful editor at Hachette India showed interest on a direct submission to their website (without an agent, something that they do for one or two titles a year. Pitch to them, peeps!), I looked at the email, reread it, rubbed my eyes and did a jiggle. From the first interest to the contract was a long marathon of three months full of butterflies in the stomach. But the contract happened and I thought, wow, this was quite okay. Not as bad as the horror stories of 100 rejection emails and all that.

Then Anantya Tantrist happened. My first novel for adults with a tantric heroine who is such a badass that my cheeks flame up sometimes when I am writing her story. Her world is brutal and so is her attitude. But I was more confident with her. Hachette India had already said yes to one of my books, so selling the second should be better? Yes?

NO.

I realised that with a kick in the butt. She and her world were (and still are) a series character in my head. I already wanted to write book 2 of her story and then book 3 and then you know how it goes. But already, rejections were piling up like bad advice from astrologers. They are still piling up by the way, only they come from other countries now. There were so many reasons that The Cult of Chaos, the book one in Anantya Tantrist’s series, got rejected. Most of them were polite and polished and told me nothing. I had already given the book to an editor at HC (Let’s call her ED) who I knew would loved SFF titles (having already stalked her online). She was sweet and Anantya liked her too. I was quite keen on her. But there was no yes till now.

Meanwhile, I fished out a list of agents and sent my book to them, panic building up in me. It had been months. I had moved on to launching my other books, but it had been months! WritersSide was the fastest to respond back and take my book on. They did that in a day (I am still surprised about that one). WS helped me by communicating with HC again and sending it to a lot of other publishers who didn’t have any general submission email ids. But I was most keen on ED, because Anantya kept on telling me that she liked her and if you know Anantya, you will realise, she seldom likes people. Since Anantya wasn’t letting me be, I accosted ED at Bangalore Lit Fest last year and told her what Anantya was insisting I tell her. That she’s the editor for Anantya‘s story. Kudos to ED, she took it with a straight face, even though it was quite sunny. I guess she’s used to writers of all crazy kinds. HC had some doubts about the violence in the books, which we figured, discussed and finally, that trembling moment came for me when I signed the three-book contract. It took eight months from when I finished The Cult of Chaos. The book will be released in November 2014.

What this has taught me

– You need to find the right editor for the book. ED was right for the book, even though she had initial doubts. She loved the idea of Anantya and her world. If the editor connects with the book, she will fight the battle for your book from the beginning (getting you a contract) to the end (speaking about it at panels with sparkles in her eyes). So right editor, peeps, very very important. And that begins with focusing on people and not on the publisher. ED, thanks btw!

– I always wanted to write more than one books about Anantya, but when I started to find a publisher for her, I didn’t think of pitching the first book as a series. I know, kinda dumb, but I don’t think future too much. There WS helped me refocus. They insisted on me writing briefs of possible stories for Books 2 and 3 (which I surprisingly managed on a holiday). That way, I am sure that I get three of Anantya’s titles published even if Book 1 fails to make a mark (which I hope doesn’t happen). But it gives me insurance of some kind about the three books. Even though I had to take lesser advances for book 2 and 3 (because the publisher’s risk increases). WS also helped me streamline the contract and make is bare minimum so that I retain most of my rights and can sell them somewhere else.

– All of this: the pitching, the marketing, workshops, conferences, panels, the selling, the media, internet, social media, all of it distracts you from the one thing you started with: Love of writing. It’s important to switch off after you’ve got a contract or after the book is out. Switch off and keep writing (goes under notes to self). Again and again.

Book 1 of Anantya Tantrist series releases in November 2014. Meanwhile, visit Anantya Tantrist’s blog or follow her on Facebook or Twitter or Google+

Brain or the sexy body?

Sexuality simmers in ancient tales of India. While I was researching for my current book (a series based on tantrism), I came across the lovely tale from Vetala Panchavimsati, an older version of Vikram-Betala stories.

In a temple in the city of Shobhavati, through the favour of Goddess Gauri, Prince Dhavala marries Madanasundari, the daughter of the king
named Suddapata. Svetapatta, Suddhapata’s son, one day proceeds to his own country along with his sister and her husband. On the way they come across another temple of Goddess Gauri. Dhavala goes into the temple to pay homage to the Goddess. There he happens to see a sword, gets obsessed to offer his head to the goddess and does the same. When he does not return for long, Svetapata enters the temple and gets stunned to see Dhavala dead and his head presented to Goddess Gauri. Through some irresistible urge he also cuts off his head and presents it to the Goddess.
After waiting for a long time for her husband and her brother, Madanasundari goes in to beg something of her. She requests the Goddess to restore her husband and her brother. Hearing this Goddess Gauri asks her to  set their heads on their shoulders. But out of excitement Madanasundari puts the head of her husband on the body of her brother and that of her brother on the body of her husband. Both of them come back to life as such. Madanasundari then realizes her mistake, but what has been done cannot be undone. At this stage Vetala asks Vikram, ‘Who is Madanasundari’s husband, the man with her husband’s head, or the man with her husband’s body?’ The King’s reply is that the person with Dhavala’s head on his shoulders is the husband.


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Girish Karnad got inspired by this tale and created his play Hayavadana. The story has been taken thanks to scholar K Mangaiyarkarasi’s research paper which compares this tale with Girish Karnad’s interpretation of it. It’s fascinating how richly coloured our myths easily exploring even taboo subjects. The story swims with incestuous undertones as well as questions one’s idea of ‘husband’ and ‘wife’. By today’s high prude standards, it’s insulting and could get someone into jail, even because of retelling of it.

Another thing that next ceases to amaze me is how tantrism and its esoteric cults in this country represent the breathable spaces, the perforated gaps in the suffocating, prudish morality of today. Which is perhaps why the cult is considered evil and seen upon with fear.