Five ways to make your character real

The most hyperreal character I created till now is Anantya Tantrist, the tantrik detective and the heroine of my latest, Cult of Chaos. She has made me schizophrenic. I know her voice so well, that I can hear her talk in my head, can tweet as her and myself at the same time, having conversations over Twitter or tell you what she would be saying right now for this blog (“Why’re you wasting your time? Do something creative.”). When I was still pitching her book, I met A, the editor, the HarperCollins editor of the series in India and told her that she had to say yes to the book, because Anantya liked her. And I wasn’t lying. It was the truth. She’s that real to me. Like a friend. So here, I share what I’ve learnt while creating her. Here’s my bits on how to create characters that are crazy real.

1 Take her out on a date

You want to know what the biggest antihero of your book thinks like. What does he want? Why does he want to destroy the world? Does he like coffee or prefer tea? Is he an alcoholic? Meeting a character is like meeting a stranger on a date. Ask them inane questions. Do they like chocolate or strawberry icecream? You have to ask them what they are like, what they want from their lives, what they desire, what they feel about traffic jams, what their objective in life is. Spend a day, talking to your character, even the minor one. Romance her, fall in love, or hate her like you would the guy who persistently honks behind you in a stuck traffic jam.

2 Find out how she speaks

Readers love dialogues. Many of us while reading a book skip all the details, the paragraphs that talk about atmosphere and stuff and go to the dialogues. Dialogues are by far the most important way that readers will know your characters from. So it’s very important to know how your character speaks. Hear. Listen to what people say, how they say it. Everyone of us has a style of speech. Try and bring that out for your character. What are the words she uses the maximum? The repetitive things she says after each sentence? You want to make it real, yes, but not so real that it has repeated sentences. So keep it short.

3 Know the emotional ticks

After the date, this is the second level of knowing your character. What are the social issues they connect to the most? What makes them raving mad, or crazy? What brings tears to their eyes? For even the vilest of villains would have that soft spot somewhere. Find out what makes them sad, what’s their emotional curve. Know it when you’re writing and your readers will feel it too.

4 Put in her past experiences

I call this the soul of the character. As we grow, we absorb experiences each day and you need to know what your character’s past was to understand how they will behave now. What has happened to them in their past? Who were the people they grew up with? Like 90s soap operas, physical abuse, the desire to own a car or bullying a classmate or a pet. These experiences make the person we become and if you know the character’s past, you will know how they will react to situations, when and how they will act and take the story forward. To know your characters is to know your story too.

5 Listen to her body, beyond the face.

Body language is a very important aspect in detailing a character. Whether you write first-person narrative or third, you have to know how the character blink their eyes when they talk, how they smile, what changes in their body language when certain people are around. Find words for them, keep them listed somewhere. How our eyes look when we speak, how do our legs and hands move. Is her hair disheveled or clean, how does she smell? What are her most prominent features? How does she move her hands and arms and legs when she speaks? Build your vocabulary about the character and you’ll be able to bring her out in flesh and blood through words.

Infographics of world’s spoken languages

I’ve been researching on infographics and though I’m not usually a let’s simplify the-message-kinds, that is how it seems the world is going.

So it was a pleasure when I found this beautiful infographic created for South China Morning Post, on my timeline the other day. I shared it immediately, but wanted to keep it here, on my blog, to see, ponder on and know how languages travel through the world and through our heads and kind of change us in little ways. And how powerful that is. languages

“There are at least 7,102 known languages alive in the world today. Twenty-three of these languages are a mother  tongue for more than 50 million people. The 23 languages make up the native tongue of 4.1 billion people. We represent each language within black borders and then provide the numbers of native speakers (in millions)  by country. The colour of these countries shows how languages have taken root in many different regions”

See in detail, on the SCMP website

 

Rant of a writer’s block

Blank. Blank. Blank! How will I ever finish my novel and get it to be published if I just can’t write? I should quit. Should for sure, quit and take up a cushiony job of an editor somewhere and criticize other people’s writings. Maybe the writer in me is dead and the only way to get her is to meet Yamraj and BEG!

But I know I wouldn’t quit. What’s life without a little bit of fun like writing anyways?

All the strings need to tie together. Only then will a complete picture be formed. Holistic. Is it okay if I write bad than not write at all? What stops me from writing? I had decided to keep on typing to try to record what thoughts are coming to tell you how it feels to be stuck without any words in a head which is supposed to be a writer’s.

My mind thinks of many things but my hands aren’t fast enough to write and my vocab not varied enough to express. Write, write write. Language binds my thoughts.

But still I try to write because I have decided to do something and try to stick to it. Is it that bad? Shouldn’t I stick to something? I want to. I seem to float in empty air, meaninglessly drifting with the flow of life. Aren’t I supposed to do something I believe will bring me pleasure? But is this pleasure? Is it even right to run after the fleeting pleasures I get from writing? Or do I want to experiment with highs and lows which come from new experiences? Is writing like extreme adventure sports for me? I don’t know. Again as I told you, my dear long dead document, I have only questions, no answers.

These answers seem to be quite tricky to find. Even if you manage to grab hold of one, it smokes up and manages to silkily slip through your fingers. Also, as soon as you have this creature called an answer, your eyes become blurry and myopic, almost blind and though you can see your answer, it becomes a misty, mystical creature. Soon, it starts turning invisible. That’s how it works with answers. The more you look at them, the more they start to vanish. Then suddenly, the slippery bugger vanishes completely leaving you with more questions. Sigh. Can someone live their life with only questions around them? Why do we need these slippery buggers called answers anyway?

Only 413 words. That’s the tragedy. You think you have said a lot. You think your thoughts are quite fresh, new, unusual, never heard, dah, dah, dah. You think you have millions of words at your service, working like minions standing and saluting you where you want them to. You think you control them and then suddenly, the seat of power changes. They start playing with your mind. Thoughts which were cohesive and coherent in the garbled walls of your mind turn into gibberish when converted into words in an e-document. How does expression work? How do you put your thoughts onto a document in a cohesive order?

The control is slipping away. But isn’t that the magic of writing? Why do I need the control anyway? You wanted abyss, abyss is what you get.

Men are crazy. Women are crazier. No, it’s not relative; it’s just the way it’s meant to be. You are but a puppet in the hands of language.

(Again, not edited.)