Is speculative fiction beyond mythology possible in the literature coming out from our country? Till now, most of the speculative fiction that has come out of the country (even mine) has been heavily inspired or uses characters from our rich Hindu mythology. I take the topic head on in this talk at the LitFestX. This video is from 2015, so a little dated and since I’ve spoken there, there has been a lot of amazing books that have come out in the genre, but I’m adding it now because frankly, at that time, I lost track of things and never added this in my blog. See if you’re interested in hearing my thoughts on the topic. Have thoughts, disagree? Add to the comments below.
While browsing the layers that is the internet, I came across Global Slavery Index and found the facts that they’d written about India after research quite intriguing. There are lots of little nuggets there to mull over and think about various ways we ignore, encourage and are okay with slavery in our country. I had hoped this is not true, that it’s fiction, or something that can come under my Tall Tales section, but unfortunately, that is not to be. An excerpt from the report.
How many people are in modern slavery in India?
India is undergoing a remarkable ‘triple transition’, in which economic growth is both driving and is being affected by rapid social and political change. Economic growth has rapidly transformed the country over the past 20 years, including the creation of a burgeoning middle-class. In 1993, some 45 percent of the population were living in poverty; by 2011 that had been reduced to 21 percent.In addition to economic growth, ambitious programmes of legal and social reform are being undertaken right across the board, from regulation of labour relations to systems of social insurance for the most vulnerable.Continue reading “Slavery in India and how it compares to the world”
I’ve always found the job of a literary agent very curious. Since as an author I know that most Indian authors don’t make much money, I do not understand how a literary agent, who charges the author 10-20 percent commission on royalty, makes any money in Indian publishing. This curiousity led me to ask these questions to Kanishka Gupta, a friend and my agent in India for YA/A novels.
Kanishka runs the literary agency Writer’s Side and has represented more than 400 authors in his short six years as an agent. I find him superquick in his responses, honest about his feedback and open to debut authors. In this excerpt he answers all those questions about agenting that had got me curious. I haven’t edited the blog, so it’s rather long. Take your time.
Q) A literary agent is rather an unusual profession. People who come into it, either wanted to be writers or publishers. How did you start as a literary agent?
As an out-of-job, out-of-sorts struggling writer in my early twenties, I was deeply perturbed by the lack of a support mechanism for writers in the country. At that time there was just one literary agency ( yes one!) and publishing editors were like inaccessible government bureaucrats. After freelancing briefly for a literary agency and a well-known novelist, I took the entrepreneurial plunge and founded Writer’s Side. In the beginning WS was more of an editorial consultancy but over time we have shifted our primary focus to author representation.
How does love blossom in the world that is the internet? What do you feel as you swipe left or right, deciding instantly on a pose, or a hashtag or just the numbness in your thumb? I’m always fascinated by how love shapes itself online. Which is why when I came across #100IndianTinderTales, an art project by the fantastic Indian artist, Indu Harikumar or Induviduality, whose work I’ve been following for years, I just had to share some of it on my site. The project has “true stories and experiences of people using Tinder in India and Indians using Tinder abroad” with images by the artist. They’re full of glee, sex, intrigue, crushes, obsessions and in some cases true love. Curl up this Valentine’s with a few of my favourite ones. For more, head to the artist’s Facebook or Instagram page.
Day 22: P from #Delhi writes about a night of unbridled passion
“By age 37, I have experienced the truest of loves and its devastating loss. A heart that has loved so singularly & lost so purely becomes either fearless or reckless. So when a chance Tinder encounter (truly chance because he is only in the same location for a couple of hours when we ‘match’) reveals himself to be perfect in all ways except that he’s married, I don’t disqualify him. It is the coldest thing I’ve ever done – to pursue an intensely sexual encounter with an absolute stranger from whom my heart wants nothing. It also makes me feel alive. We meet and have a spectacular night without an ounce of sleep. I get a cab in the early hours of the morning and as I ride back, there’s a smile on my face, a glow in my body and an absolute absence of guilt.”
Do you suffer from writer’s block? I’ve been thinking of taking a break because writing is coming tougher to me nowadays for various reasons. A friend mentioned maybe it was a writer’s block. Since I’ve never fallen for the whole idea of a wall blocking your creative side, I thought I will write about it. And just then serendipitously I came across my wonderful author friend Andaleeb Wajid’s rather helpful blog on the same subject. Andaleeb is a superstar author who keeps churning out one fantastic book after another, while taking care of a vast family, doing workshops on creative writing and generally being a fantastic person. So if she’s talking about this block-monster-thingy, believe me she knows her stuff. And this is what she suggests you do.
What’s this Writer’s Block?
If there’s one thing every other writer will tell you or post/tweet is that they’re facing a writer’s block at some point or the other in their writing career. Of course, if you are a writer, you know for a fact that writer’s block can strike you unawares and the novel that you were working on is no longer flowing from your finger tips on to the keyboard. This feeling of being stuck, of not being able to move forward is typical of writer’s block. But here’s a secret. Writer’s block doesn’t exist. What? Yes. It doesn’t. Writer’s block has more to do with your mental disposition at the point of time when you’re trying to write, rather than actually being the thing it is made out to be.
Over the past years as I’ve been writing my books there have been times when the words just didn’t seem right. There have been times when I haven’t felt like writing. A typical question that students I speak to, or interviewers ask is how I deal with writer’s block. This is how.
1. It’s in your mind. It doesn’t exist. Believe it.
By acknowledging that it does not exist. I try not to get discouraged and I certainly don’t label it as a writer’s block. Typically you may get this block either when you’re in the middle of writing something or you might find yourself unable to start something new. Continue reading “GuestPost: Five tips to smash that writer’s block”
In workshops at schools, at literary events, festivals, interactions with writers, strangers and friends, I’ve met some really funny responses to the fact that I am a writer. The awkward conversation starts in a party or a hangout, when you chat to a stranger. Or when one is trying to get through immigration or getting a passport renewed. (shudders)
‘What do you do?’ someone asks jovially, a drink down. Heading for another. ‘I write,’ I answer with my winning smile. Blank stare. ‘Books and articles and stuff,’ I try again. Blank stare. ‘I am an author,’ I venture. ‘An authorpreneur?’ I try again, my tongue doing Patanjali-trademarked yoga on the twisted word, desperate now, mentally kicking myself for paving in to the popular perception and respectability of the word ‘author’ rather than the more humdrum ‘writer’ which is how I see myself.
‘Oh,’ says the stranger.
What follows can be any of these responses and my response to it.
‘You know, I’ve always wanted to write a book.’
‘Great. Write it.’
‘I have an idea about a book.’
‘Great, write it.’
‘I wish I could write.’
‘Practice makes people perfect.’
‘Will you write a book for me? I have an idea.’
‘No. Ideas are like flies. They’re everywhere. Why don’t you go flush yours down the toilet? See where that leads you?’
‘Do you make any money?’
Oh, you mean like Chetan Bhagat?’
‘Yes. We both write fiction.’
‘Give me your book, I want to read it.’
‘I don’t carry my book, the same way you don’t carry a factory or the excel sheets you make at office all day long.’
‘Will I get a free copy?’
‘Sure. Can I drill your empty head and stuff it with empathy. Please?’
‘Oh. I need a signed copy.’
‘Great. Order a book, call me. I am always up for signing copies.’
‘Acha hai. You have to do something for time pass.’
‘I am rather fascinated to find the overflowing vat of idiocy behind that bushel of hair that grows so proudly on your head.’
‘Isn’t writing a hobby?’
‘It can be. I just do it all day long.’
‘Wow! So you will become famous like Chetan Bhagat and earn lots of money?’
‘Not really. Most of us don’t earn. It’s a silly profession. Work hard, get nothing. We have no idea why we do it. But we do. Kind of like being addicted to alcohol. Or cigarettes. Or coffee.’
‘Why don’t you make a movie out of it and earn lots of money?’
‘Did I say I was a director?’
‘I have this fascinating idea, which I think will make a really good movie.’ (From a hair stylist, cutting my hair)
‘Ok-ay. (politely, since I did want a nice haircut) Did I say I was a producer?’
‘You don’t look like one.’ (From a rather judgmental 11-year-old)
‘Oh. See my name on the tag of this literary festival? See the name on the book I’m holding? Can you even read?’
‘Oh, I am so jealous. You have an easy life. Sitting at home, making stories.’
‘Try it, will you? Please do. Practice by staring at a screen all day long, waiting to see if your brain will work and produce a publishable phrase.’
‘So how do you earn?’
‘I don’t earn from books. Period. I get my income, depending on mood, from selling peanuts on the road or stealing from overpaid MBAs, by hitting them with a running shoe.’
‘So you will get famous soon?’
‘One hopes, but no. Most authors don’t.’
‘Where can I buy it?’
‘Everywhere. Do you go to bookstores?’
‘Sorry, I don’t read.’
‘What a loss of a perfectly sound brain. Oh, wait…’
‘How was the response to your latest book?’
‘Umm. How many times have you had sex this week? This month? …year?’
‘Really? What’s the name of your book?’
‘Cult of Chaos.’
‘Let’s go get drunk. Please.’
(Hurries away to get a drink.)
I’ve been fascinated by the idea of Internet. For many it represents freedom, democracy and equality. However, the way internet is going now, it seems that it’s simply mirroring the realities of our real lives. It is building similar power structures and has enhanced human insecurities and the difference between have-its and have-nots. Pokemon was one example. The poor cousins in India never got to play it. Gender inequality and bullying is beautifully rampant in the annals of comments on every blog.
Which is why when I came across this article by Jennifer Granick, the director of Civil Liberties at the Center for Internet and Society, I was nodding my head at most of the things. Here’s what she says about the internet:
Twenty years from now,
• You won’t necessarily know anything about the decisions that affect your rights, like whether you get a loan, a job, or if a car runs over you. Things will get decided by data-crunching computer algorithms and no human will really be able to understand why.
• The Internet will become a lot more like TV and a lot less like the global conversation we envisioned 20 years ago.
• Rather than being overturned, existing power structures will be reinforced and replicated, and this will be particularly true for security.
•Internet technology design increasingly facilitates rather than defeats censorship and control.
It doesn’t have to be this way. But to change course, we need to ask some hard questions and make some difficult decisions.
Now this is a scary scenario and something that we might see coming after all as our dependence on algorithms and what we want increases. See the video of the speech below or reach the complete speech over at Backchannel.
How do you feel? Are you still positive about the change that Internet can bring in to our lives or do you think it simply reflects the issues already entrenched in our society?
I’m a literature geek who loves to visit places that I’ve read about in fiction, especially detective fiction. While in Switzerland, me and my husband (who’s equally crazy about this stuff) made a special excursion up a hill to see the Reichenbach Falls where Sherlock Holmes tussled with Moriarty and fell off the falls. While posing against the Sherlock dummy placed there for tourists, we thought it should have been Dudhsagar falls if Doyle never wanted his detective hero to come back (for Reichenbach are just not tall enough).
Want to start on that first book? Aspire to get published? Here are a few tips for aspiring writers that I shared with Writersmelon.
Why do you want to write?
If you want to be a writer, the first thing that you need, which is I think a very individualistic thing, is the desire to write, the passion to create something new, to express a story, a character in a new way. I write because characters crop up in my head and bang inside, demanding to be let out. I write because it’s addictive and I have no other choice. It’s the highest I’ve ever felt, and also the lowest. It’s hard, but I’m not going to leave it anytime soon.
Once you’ve keyed on this desire, it will drive you through the long, long process of gathering the skills and actually writing the whole thing. Ideas are easy to come by, getting the skill of writing is also not too difficult, but it’s this desire that makes all the difference. This motivation that comes from inside you, will discipline you, make sure you don’t give up halfway and will not let you rest till you complete the creative work. In that sense, it’s an intrinsic value.
Finish that first draft
Don’t let your rational mind take over till you complete the first draft. Write with your instinct, write whatever you see the characters doing, just write without thinking too much. The only thing you can do is be true to your characters. Don’t let your opinion on life and your language leak through into the story, for the readers will know and they’ll not like it. After you have completed the first draft, edit, polish and edit again. Once you think it’s ready to be sent to a publisher, wait for a week. Edit again and send to the publisher. Don’t think of it as a hobby. Think of writing as your work. You have to do it everyday, even if you don’t feel like getting up from the bed. Write everyday, even if you are sad or not in the mood or don’t have time for it or can’t think of a single line to write. Write a portion everyday.Continue reading “5 life hacks for aspiring writers”
I came across 25-year-old Hindi poet Shubham Shree through an article in The Caravan by Daisy Rockwell. Shubham has just won the prestigious Bharat Bhushan Agarwal Prize in August and there was a lot of criticism that her poems faced because the pillars of Hindi literature didn’t think her poems were literary.
Here’s one of my favourite ones. It’s not the one that won the prize (which is called ‘Poetry Management’). This one’s titled ‘My hostel’s cleaning crew has refused to throw away sanitary napkins’.
It makes fun of the fact that if you go to a chemist to buy sanitary napkins, they wrap it in newspapers and hide it from view, even though semen-laden men underwear lie all over the countryside. I loved this poem and some of her others. Continue reading “Poet Shubham Shree’s satire on sanitary napkins”